You can now watch the Truth and Lies in Short Forms panel for National Flash Fiction Day New Zealand. Go here.
I have a new flash at Fictive Dream today. TW for pregnancy loss.
Read it here.
By Nuala O’Connor
Arlen House, €10.00 Sat, Dec 5, 2020, 06:00
As you would expect from O’Connor, this collection of flash fiction is a menagerie of exquisite language. The stories transport us to moments in time, and to no-time, as the author paints fragments of history that are palpable with characters who come alive in a brushstroke. Artists and sitters are here as are servants, soldiers, mothers and sisters in stories of losing, longing, and home. Historical fiction can sometimes be clogged with research – not so in these stories which are glances, swift and sensory, with grace-notes of details to let us recognise where we are. Here is the “crookedness of nature,” the lure and lore of home but also the emigrant, the lost lover, the perished child. This collection takes us from the olagón to the “shale-and-ripple of a shell”: a pearl. – Ruth McKee
I recorded myself reading the title story from my flash chapbook *birdie*. You can listen/watch on YouTube here.
I was awarded a COVID-19 Crisis Response Award for Literature, from the Arts Council of Ireland, to write and compile birdie, a collection of 16 historical and out-of-time flash and micro fictions.
Arlen House has produced a limited, hard-copy edition of birdie which can be bought from Kennys, Galway (Kennys now has signed copies!); Charlie Byrne’s Bookshop Galway; Hodges Figgis; The Reading Room in Leitrim; Forever Amber in Meath; Waterstones Cork; Dubrays; and O’Mahonys. Your local shop will order.
Reviewers: please contact Alan Hayes at Arlen House.
More about birdie:
Love is the central force in birdie, a collection of sixteen historical and out-of-time flash fictions that sing with the voices of women loving and losing and learning. The characters here find strength, despite the sorrows of death and deceit: a ghost-child returns to Massachusetts to comfort her grieving mother; the daughter of a Spanish orange tycoon regrets her mother’s terrible choices; an English maid longs for, but can’t be with, her mistress’s son.
Birdie contains O’Connor’s signature ekphrastic work, drawing on artists as diverse as Matisse, da Vinci, and American painter Edwin Romanzo Elmer. The natural world looms large too: sheep and foxes roam these pages, while seawater washes through them.
Described by the Toronto Star as a writer of ‘magical imagination’ and by the Washington Post as ‘soaring’, O’Connor’s collection of historical flash will delight her readers, old and new.
I have a new flash fiction, ‘Blue’, at Cease, Cows magazine today.
You can read it here.